How much can we absorb and embrace of a moment that will disappear in an instant?
Looking at the road as a stage, for four years I travelled around Sardinia probing with my camera the shapes of the landscape, the daily life of urban and rural areas, and the contrasting relationship between man and his land
With a democratic eye, I photographed everything that is familiar to me but in a totally unexpected way from the passenger sieat of a car and on board of a motorbike, always in movement
This is a series of photographs full of silence, prone to poetic references and inclined to emphasise the need to stop, to look more carefully around us
The concept of movement is indeed central to this project, seen as that ephimeral, joyful, tragic or insignificant instatn that captured my attention and became the core of my shoots
Things are only known and appreciated when we have made them our own in our hearts and minds
